Nigeria’s Yoruba Film ‘Asiri Ilu Awon Osu’ Billed as First Photorealistic AI-Powered Feature
The groundbreaking production blends artificial intelligence with live-action filmmaking, putting Yoruba cinema at the centre of a bold new chapter in the future of film.

LAGOS, Nigeria: Nigeria’s Yoruba film industry is taking a bold step into the future with Asiri Ilu Awon Osu, a new Yoruba-language production whose producers are billing it as the world’s first photorealistic AI-powered feature film.
The project combines artificial intelligence with live-action filmmaking, creating a production that seeks to demonstrate how emerging AI technology can be integrated into traditional filmmaking.
The producers say Asiri Ilu Awon Osu goes beyond the conventional use of technology in film by combining AI-generated elements with footage captured through live-action production.
The development comes at a time when artificial intelligence is rapidly changing the global film and entertainment industry, with filmmakers experimenting with AI for visual effects, environments, characters, story development, post-production and other aspects of the creative process.
For Nigeria, the project carries an additional cultural significance because it brings these emerging technologies into Yoruba-language cinema, one of the country’s most recognisable indigenous film traditions.![]()
The producers’ decision to use Yoruba as the language of the project also highlights the potential for AI-powered filmmaking to be applied beyond mainstream English-language productions.
While AI has already been used in various forms across international film productions, Asiri Ilu Awon Osu is being positioned by its producers as a particularly ambitious experiment in achieving a photorealistic feature-length production through a combination of AI and live-action techniques.
The claim that it is the “world’s first photorealistic AI feature film” is, however, a claim made by the producers and should not yet be treated as an independently established global record without further verification.
Nevertheless, the production represents an intriguing development for Nigeria’s creative industry and could fuel wider conversations about the future of filmmaking, the role of human creativity and how African filmmakers can harness artificial intelligence without losing their cultural identity.
As AI continues to evolve, productions such as Asiri Ilu Awon Osu could signal a new era in which traditional filmmaking and artificial intelligence work alongside each other to create stories for increasingly global audiences.
For Nollywood and Nigeria’s wider creative economy, the project also raises an important question: could African filmmakers become major players in the next generation of AI-powered cinema?
Asiri Ilu Awon Osu may be one of the early projects testing that possibility.